NOT SPOILER FREE
This month saw season two of ABC/Marvel’s Agent Carter come to an end, and despite critical acclaim and a fanbase that cares deeply for the show and its characters, its dwindling ratings have once again left its future in doubt. The show follows SSR Agent Peggy Carter (portaryed by the excellent Hayley Atwell) and what she gets up to in post-WW2, post-Captain America: The First Avenger New York City, and in the second season, Los Angeles. It’s a fun show that adds depth to the ever-expanding MCU, and as we all know Peg ends up founding S.H.I.E.L.D. and living to the ripe old age of 90-something, so why not explore Peggy’s life as society continued to change and evolve so quickly? There are so many compelling reasons for ABC to keep Agent Carter on the air, but here are just a few:
1) Women, women everywhere!
A potential issue with superhero shows, or shows within a superhero universe, is that even women-fronted titles can still be somewhat of a sausage-fest. This is not the case in Agent Carter. The show consistently passes the Bechdel test, with all of the women coming from all walks of life, with varying strengths and weaknesses. The show depicts strong female bonds in the form of Peggy and Angie (and just all the girls of The Griffith in season one) and Peggy and Ana Jarvis. Two of the shows main villains, Dottie Underwood (the original Black Widow, portrayed by Bridget Regan) and Whitney Frost (AKA Madame Masque, who didn’t even wear a mask in the end, portrayed by Wynn Everett), are two of the most compelling and complex villains I’ve ever seen on television. In a society where women are seen (and often depicted) as one-dimensional and either perfect angels or devilish succubi, it’s amazing to see women, regardless of their moral compass, have particular strengths and weaknesses, and to be able to interact in a plethora of different settings all under one title. And it’s still something television in 2016 is lacking.
2) The writing is incredible.
Agent Carter is one of the best-written shows on television today. I already mentioned the women, but the men in the show are written just as well! Season two’s arc with Jarvis and Ana after she got shot was emotional, Jason Wilkes struggles with the zero matter and makes some difficult choices throughout, and even Jack Thompson seemed to grow, just a little bit. The wonderful character-building and development aside, the show’s plot throughout each season is made up of varying storylines and arcs that all come together nicely – its engaging and allows for a whole spectrum of emotion.
3) Imagine Peggy in the 1960s. Or 70s.
Peggy’s long life means there’s so much potential to see her kicking ass throughout different decades of the 1900s. Peggy was a fighter and would have definitely been a part of the Civil Rights Movement in the 1960s, and would have obviously been at the forefront of the feminist movement throughout the 1970s. Agent Carter in other decades of the 20th century would be a stellar opportunity for exploring social issues and making social commentary – something the show has already done in the forms of Peggy and Jason – the show has proved it is willing to provide such commentary, why not take it one step further?
4) The queer potential!
Cartinelli, AKA Peggy Carter and Angie Martinelli, were, and still are, one of the shows most popular ships, with both Hayley Atwell and Lyndsy Fonseca showing their support for it – the two have a lot of chemistry, and while I adore them as friends, it would also be great to have them get together in order to explore homosexuality and/or bisexuality in 1940s America. Even Dottie, who wore Peggy’s lipsick and chloroform kissed her, has so much potential as a queer character, with some elements of subtext once her sleeper agent identity is revealed. It seems Peggy Carter has chemistry with just about anyone, regardless of gender, and I think it would be a great addition to a show which already represents complex women so excellently.
5) “I know my value” – the Peggy Carter effect
In the season one finale, Valediction, Peggy tells Souza “I know my value, anyone else’s opinion doesn’t really matter” after Jack Thompson takes all the credit for bringing down Leviathan and Fenhoff. This single quote speaks volumes about Peg as a character, and sparked countless fan arts and tattoos as well as a revolution of self-love and self-acceptance among women and girls. Peggy doesn’t need a man’s, or anyone else’s approval. That’s a good message to send to young girls in an age where they’re constantly told image is everything. And any show or film or any other kind of media that promotes the message that the only opinion about you or your life that truly matters is your own, is something that is worth showing.
So there you have it – five reasons why Agent Carter is still very much wanted and needed, and this doesn’t even get into the possibility of tie-ins or other links to the MCU/Marvel universe. Agent Carter is a show that profoundly effects those who are invested, and a fanbase that is dedicated and moved by what is put on screen is one that is willing to support you throughout – provided you execute it right – making it a beneficial asset on both sides. The world needs more Peggy, there is no doubt about it.